"Call and Response" EP Release
Matt Pond PA & Alexa Rose
at The Parlor Room
Wednesday, February 21st
SHOW: 7:30pm / DOORS: 7:00pm
ADV TIX: $20 GA / $18 MEMBERS
DOS TIX: $25 GA / $23 MEMBERS
"Call and Response" EP out January 19th
Matt Pond’s very name evokes the natural world in which his songs are so often set, with their evocative lyrics about the sometimes jagged edges of love, the pros and cons of connection, and the agony and ecstasy of memory. He has always mapped the universal emotions of being alive onto the contours of his own stories.
From the band’s beginnings in Philadelphia in the late ’90s to their current home in the heart of the Hudson Valley, through 13 albums (among them Emblems, Several Arrows Later, The Dark Leaves, The State of Gold, and, most recently, the luminous The Natural Lines), Matt Pond PA has always been a living, breathing organism—one that’s constantly changing. One notable mainstay: Pond’s longtime right-hand man, Chris Hansen.
“I named the band after myself, but the fact is that this is a complete collaboration,” Pond says. “Everyone I’ve worked with lives in my head and in my songs.”
Headwaters is the sophomore album from Virginian indie folk singer Alexa Rose. A series of minutely-observed vignettes that feel intimate and expansive at the same time. It captures the sweetness of life without avoiding any of the pain, with songs about time and its constraints, peppered with precise details pulled from Rose’s own life that make universal themes seem personal, inviting the listener to make each song their own.
Headwaters are the source of a river. The furthest point from where water merges with something else. They are not mighty. Just a network of small tributaries, like a creek, not necessarily picturesque, but they’re the most important part of the river. Water is fluid and inconsistent and sacred and indifferent. You can be miles down a river, but you’re still at the origin. And in that way, water feels like it has transcended time. That’s how these songs found me—the way memories find you, in that slivering, elusive water. As quickly as you come across them, you bend in another direction.
A series of rivers, Headwaters is centered on the fluidity of time. After a year where time has seemed to ebb and flow inconsistently and all routine has been dismantled, I found myself writing in the medium of water, says Rose. When I was sitting alone in my room in the southern summer heat, windows open, humidity fuming, a song called Human poured out of me. It was August, and all summer there had been such a tremendous sense of humanity, revolution, justice coming up against division, misinformation, fear. Like most regular, feeling people, I had such a strange mixture of emotions: grief, excitement; solidarity with the ways people across the world were showing up to love and support one another. I wanted so badly to run outside and be a part of it all, right then and there in that moment. But I was stuck at home. And in that strange swelling of simultaneous loss and the richness of witnessing so much kindness, I remember laying on the bed with the guitar, staring at the ceiling, and just singing “I wanna go downtown and look some stranger in the face.” I would be happy to see anyone. I just really want to hug someone. To jump into some icy swimming hole. To feel the surge of aliveness. And I felt so imperfect and raw, but I knew so did everyone else.
Recorded over five sessions in Memphis, Tennessee at Delta Sonic Studios, with Bruce Watson producing, with mixing by Matt Ross-Spang and Clay Jones. Rose would sometimes bring songs written the night before and record them the next day with an all-star band, including guitarist Will Sexton, bassist Mark Stuart, drummer George Sluppick, and Al Gamble on organ and piano. The immediacy of being in the studio with freshly-written songs and an excellent band allowed Rose to expand her music in new ways.
I feel like this record is the first time I’ve ever let my whole self into the room, says Rose. The parts of me that are angry and wanting to stand up and the parts that want to be quiet. The parts that remember being a kid. Letting myself release all of that in the studio and having all these people back me up and make it work was a tremendous gift.
The Parlor Room is a BYOB venue. Tickets are non-refundable.
The Parlor Room is located at 32 Masonic Street Northampton, MA 01060
Date & Time
Wed, Feb 21, 2024 7:30 PM - 9:30 PM